Aspectos do cinema de Fernando Coni Campos e imagens polissêmicas do riso na obra o mágico e o delegado

Abstract

The present work proposes to analyze aspects of the cinema of Fernando Coni Campos, and the polysemic images of laughter contained in the feature film O Mágico e o Delegado (1983) in order to work: the meanings of polysemy and the semiotic field Audiovisual image; The exploration of the local identity imaginary and the inference of the dialogues present in the work with literary, popular, political, economic, social and historical references; The historical and original foundations of Brazilian comedy and circus art, as well as the first cinema and national cinema; The cinematographic canon. These and other objectives are characterized in the exploratory research, which aims to provide familiarity with the problem, and bibliographical research, documentary and film, reading and audiovisual reference. Therefore, the present work intends to discuss the pertinent issues of the "absence in presence" problem in the cinematographic canon and nuances of the idea of Bahia contained in the movie